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Principles of Macroeconomics (11th Edition), by Karl E. Case, Ray C. Fair, Sharon E. Oster

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Intended primarily for Principles of Macroconomics courses, this text also provides practical content to current and aspiring industry professionals.

Reviewers tell us that Case/Fair/Oster is one of the all-time bestselling POE texts because they trust it to be clear, thorough and complete. Case/Fair/Oster�readers also come away�with a basic understanding of how market economies function, an appreciation for the things they do well, and a sense of things they do poorly. Readers begin to learn the art and science of economic thinking and begin to look at some policy and even personal decisions in a different way.

�

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MyEconLab �is an online homework, tutorial, and assessment program that truly engages students in learning. It helps students better prepare for class, quizzes, and exams—resulting in better performance in the course—and provides educators a dynamic set of tools for gauging individual and class progress. And, MyEconLab comes from Pearson, your partner in providing the best digital learning experiences.

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Note: You are purchasing a standalone product; MyEconLab does not come packaged with this content. If you would like to purchase both the physical text and MyEconLab search for ISBN-10: 0133450880 / ISBN-13: 9780133450880. That package includes:

• ISBN-10: 0133023672 / ISBN-13: 9780133023671 Principles of Macroeconomics, 11e
• ISBN-10: 0133049833 / ISBN-13: 9780133049831 MyEconLab -- NEW MyEconLab with Pearson eText -- Standalone Access Card -- for Principles of Macroeconomics, 11e�

MyEconLab is not a self-paced technology and should only be purchased when required by an instructor.

• Sales Rank: #138979 in Books
• Brand: Brand: Prentice Hall
• Published on: 2013-07-19
• Original language: English
• Number of items: 1
• Dimensions: 10.70" h x .90" w x 8.40" l, 2.00 pounds
• Binding: Paperback
• 480 pages

Features

• Used Book in Good Condition

About the Author

Karl E. Case is Professor of Economics Emeritus at Wellesley College where he has taught for 34 years and served several tours of duty as Department Chair. He is a Senior Fellow at the Joint Center for Housing Studies at Harvard University and a founding partner in the real estate research firm of Fiserv Case Shiller Weiss, which produces the S&P Case-Shiller Index of home prices. He serves as a member of the Index Advisory Committee of Standard and Poor’s, and along with Ray Fair he serves on the Academic Advisory Board of the Federal Reserve Bank of Boston. Before coming to Wellesley, he served as Head Tutor in Economics (director of undergraduate studies) at Harvard, where he won the Allyn Young Teaching Prize.He was Associate Editor of the Journal of Economic Perspectives and the Journal of Economic Education, and he was a member of the AEA’s Committee on Economic Education.

Professor Case received his B.A. from Miami University in 1968; spent three years on active duty in the Army, and received his Ph.D. in Economics from Harvard University in 1976. Professor Case’s research has been in the areas of real estate, housing, and public finance. He is author or coauthor of five books, including Principles of Economics, Economics and Tax Policy, and Property Taxation: The Need for Reform, and he has published numerous articles in professional journals.

�

For the last 25 years, his research has focused on real estate markets and prices. He has authored numerous professional articles, many of which attempt to isolate the causes and consequences of boom and bust cycles and their relationship to regional and national economic performance.

�

Ray C. Fair is Professor of Economics at Yale University. He is a member of the Cowles Foundation at Yale and a Fellow of the Econometric Society. He received a B.A. in Economics from Fresno State College in 1964 and a Ph.D. in Economics from MIT in 1968. He taught at Princeton University from 1968 to 1974 and has been at Yale since 1974. Professor Fair’s research has primarily been in the areas of macroeconomics and econometrics, with particular emphasis on macroeconometric model building.He also has done work in the areas of finance, voting behavior, and aging in sports. His publications include Specification, Estimation, and Analysis of Macroeconometric Models (Harvard Press, 1984); Testing Macroeconometric Models (Harvard Press, 1994); and Estimating How the Macroeconomy Works (Harvard Press, 2004). Professor Fair has taught introductory and intermediate macroeconomics at Yale. He has also taught graduate courses in macroeconomic theory and macroeconometrics. Professor Fair’s U.S. and multicountry models are available for use on the Internet free of charge. The address is http://fairmodel.econ.yale.edu.Many teachers have found that having students work with the U.S. model on the Internet is a useful complement to an introductory macroeconomics course.

�

Sharon M. Oster is the Dean of the Yale School of Management, where she is also the Frederic Wolfe Professor of Economics and Management. Professor Oster joined Case and Fair as a coauthor in the ninth edition of this book. Professor Oster has a B.A. in Economics from Hofstra University and a Ph.D. in Economics from Harvard University. Professor Oster’s research is in the area of industrial organization. She has worked on problems of diffusion of innovation in a number of different industries, on the effect of regulations on business, and on competitive strategy. She has published a number of articles in these areas and is the author of several books, including Modern Competitive Analysis and The Strategic Management of Nonprofits. Prior to joining the School of Management at Yale, Professor Oster taught for a number of years in Yale’s Department of Economics. In the department, Professor Oster taught introductory and intermediate microeconomics to undergraduates as well as several graduate courses in industrial organization. Since 1982, Professor Oster has taught primarily in the Management School, where she teaches the core microeconomics class for MBA students and a course in the area of competitive strategy. Professor Oster also consults widely for businesses and nonprofit organizations and has served on the boards of several publicly traded companies and nonprofit organizations.

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Four Stars
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came in the condition advertised

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10 of 11 people found the following review helpful.
Bait and Switch
By La Negrita
Talk to your professor to see if you can get an earlier edition. The only thing that changes is the cover and foreword and maybe a few of the chapter examples but you can alway get the e-book or workbook to supplement an older textbook. That being said, be sure before you buy and if worse case, I have a used copy you can buy for bottom basement price.

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[R847.Ebook] Download Ebook Safari Honeymoon, by Jesse Jacobs

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Join a pair of young newlyweds as they descend deep into a mysterious forest, encountering unknown creatures and unimaginable landscapes. Amongst the unusual flora and fauna, they discover within themselves something more strange and terrible than any sight their safari has to offer. Safari Honeymoon is a tale of jungle love and jungle madness.

Jesse Jacobs was born in Moncton, New Brunswick, and now draws comics and things from his home in London, Ontario. He has worked on the Cartoon Network show Adventure Time and has appeared in the 2012 and 2013 editions of Best American Comics.

• Sales Rank: #218442 in Books
• Published on: 2014-06-03
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 7.00" w x .25" l, .45 pounds
• Binding: Paperback
• 80 pages

Review
“Worms, infections, and tongue-replacing parasites abound in this graphic novel–and, once you've read it, in your subconscious as well.” — Tobias Carroll, Paste

"Jesse Jacobs creates beautiful art and his comics have a fantasy dreamlike aspect that is at once charming and horrifying." — Bryan Munn, Sequential

“The back-to-the-land arch doesn’t quite capture how sublimely strange Jacobs’ world is, but it gets to the message all the same: it’s the alienation from the land that makes the place horrible.” — David Berry, National Post

“Every page of this book could be torn out and framed. Seriously.” — Nadxi Nieto, Electric Literature

“…it’s the art that elevates it into exceptional territory; appropriately lush, splendidly intricate sequences — each page gorgeously psychedelic with much to pore over.” — Zainab Akhtar, Comics & Cola

“Jacobs’ book is not only a weird and whimsical visual treat, but an example of equally strong storytelling that holds its own, elevating it way above your typical ‘art comic.’” — Whit Taylor

“Part jungle adventure, part “psychedelic sojourn”, part biblical allegory, part gender study, part contemporary commentary, Safari Honeymoon is much more than the sum of its parts; it becomes its own thing by being unlike almost anything else.” — Daniel Elkin, Your Chicken Enemy

“Like the characters, the reader is pulled deeper and deeper into the terrain as Jacobs reveals more of this land’s hidden secrets. This makes for an especially enchanting read, even during the moments of grotesque horror.” — Oliver Sava, A.V. Club

“A demented exploration of unfamiliar wilderness, Jacobs’ absurdist horror story deftly comments on and sends up invasive species and Western explorers alike.” — Jeff VanderMeer, Electric Lit

“Presenting nature as a pitiless arena for survival of the fittest isn’t the most original of scenarios, but Jacobs’ presentation is wonderfully fresh and drolly humorous – a genuinely personal vision … [he] is a cartoonist gifted�with tremendous imagination and one-of-a-kind visual acumen.”�— Rob Kirby,�The Comics Journal

“The work of an ingenious and fertile imagination this is a book�where visual execution is unashamedly at the forefront of narrative drive in immersing the reader in a most intricately constructed�realm of weirdness.”�— Andy Oliver,�Broken Frontier

“Safari Honeymoon�is Summer 2014’s sleeper hit of acid.” — Greg Mannix,�End of the Universe

“When reading Jesse Jacobs’�Safari Honeymoon�the primary feeling is one of total immersion. It’s not just a graphic novel about a newlywed couple taking their honeymoon in a strange, dangerous environment, it’s a sensory experience that engulfs the reader in an intricately detailed biosystem of horrific parasites, alien foliage, and geometric spirits.”�— Oliver Sava,�A.V. Club

“In a recent interview, Jacobs said that if he weren’t a cartoonist he would probably have been a farmer. With�Safari Honeymoon�it seems that Jacobs has managed to be both at once, albeit a farmer in which the reader is the field to be planted.”�— Jared Gardner, Ohio State University Professor of English and Film,�Public Books

“Prime strange amusement.” — Ray Olson, Booklist

“In a recent interview, Jacobs said that if he weren’t a cartoonist he would probably have been a farmer. With�Safari Honeymoon�it seems that Jacobs has managed to be both at once, albeit a farmer in which the reader is the field to be planted.”�— Jared Gardner,�Public Books

“What at first seems like a familiar story trope — an older, rich lout and nubile, young wife go on safari led by a macho, knowledgeable guide — becomes under Jacobs’ hands something altogether strange, haunting, unexpected and altogether extraordinary.” — Chris Mautner, Comic Book Resources

“Pixelated robots, ropey organisms, swirling creatures of the cosmos, and even a bundle of intergalactic puppies feature in Jesse’s work, and we really cannot get enough of the meteoric illustrations.” — Madeleine Morley,�It’s Nice That

“Safari Honeymoon, Jacobs’s new book, is narrower in scope [than�By This Shall You Know Him], but in many ways even stranger and more impressive.”�— Gabriel Winslow-Yost,�The New York Review of Books

“Jacobs makes some of the most intricate, most fascinating, and oddest stories in comics today.” —�Publishers Weekly

“The central motif here is parasitic transformation — one species crawling into another and overtaking its body — and, by its end, the book has shifted from an eccentric satire to a vision of union with monstrous nature.” — Douglas Wolk,�The New York Times

“That the London, Ontario cartoonist cut his teeth working on TV’s�Adventure Time�makes sense, given the almost stop-motion quality of his critters throughout. But the artist’s concern with the squishy, tactile processes of mutation, infection, and evolution goes beyond what animation captures of life, and gestures instead toward the natural world in all its bewildering complexity.” — Sean Rogers,�The Globe and Mail

“Jesse Jacobs’ last graphic novel—By This You Shall Know Him—is probably one of my top 5 favorite comics of the past half decade, making his latest—Safari Honeymoon—one of the books I’ve been most anticipating this year. His comics are weird, smart, beautifully designed and always surprising.” — Rich Barrett,�mental_floss

“Part jungle adventure, part “psychedelic sojourn”, part biblical allegory, part gender study, part contemporary commentary, Safari Honeymoon is much more than the sum of its parts; it becomes its own thing by being unlike almost anything else.” — Daniel Elkin, Comics Bulletin

“Safari Honeymoon, as an exemplar of the next generation of comics storytelling, takes the medium to a different place, a place that may be best analogous to poetry.” — Jason Sacks, Comics Bulletin

“An exciting work for anyone interested in comics form and the medium’s possibilities, it rewards multiple readings and close analysis…for me, it’s one of the best graphic novels to come along in years. I couldn’t recommend it more enthusiastically.” — Ken Parille,�The Comics Journal

“My favourite of Jesse Jacobs’ books, and another treasured addition to my Koyama Press shelf.” — Camilla Barboza, Orbital Comics

“It's not a matter of whether you'll get it or not; Jacobs has once again put together beautiful work that's worthwhile, and so unique that it will have you talking for quite some time. Seriously, you won't find anything else like it out this year.”�—�Ollie Ottoman,�Ground Control Magazine

“The best thing about my reading of Safari Honeymoon is how frequently I was surprised. For instance, the relationship between the couple is portrayed sweetly rather than cynically; they seem a pair of mismatched souls working through elements common to all of our engagements with others that rarely get explored: choice, inexplicable desire, awe, gratitude, grace. I'll buy that ticket anytime it's offered.” — Tom Spurgeon, The Comics Reporter

“Jesse Jacobs’ work here accentuates everything that comics are great at, and serves as a perfect example of what the comics medium can really achieve that no other medium can in quite the same way.” — John Seven, Damnopedia

“Jacobs subverts jungle fantasy tropes by presenting just how precarious life is in the wild without the virtue of a total technological advantage and details that the only way out is to understand how the dominant species manages to adapt.”�— Rob Clough,�High-Low

“The writer and artist, Jesse Jacobs, has a history of the delightfully weird through his work on the cartoon�Adventure Time, so didn’t we expect him to toy with our perceptions of reality? And if there hadn’t been strange creatures, comics would have felt left out.” — Hannah Means-Shannon,�Bleeding Cool

Praise for By This Shall You Know Him

"An art comics creation myth, cosmic, disturbing, and beautifully rendered in ice-blue and contrasting purples, with a style that welds the lovely to the grotesque...By This Shall You Know Him is (further) proof that fantasy in comics need not be hollow, generic, or ingratiating. It can be troubling instead. An inspired comic!" — Author and academic, Charles Hatfield (Alternative Comics, and Hand of Fire: The Comics Art of Jack Kirby University Press of Mississippi, 2005 and 2012)

“I went in expecting a psychedelic vision quest, and I came out having experienced a stunning new creation myth. Intricate, upsetting, and fun.” — Jeremy Tinder, Boing Boing

About the Author
Jesse Jacobs was born in Moncton, New Brunswick, and now draws comics and things from his home in London, Ontario. In 2009, his books Small Victories and Blue Winter were short listed at the Doug Wright Awards for Canadian Cartooning. He received the Gene Day Award for best Canadian Comic Book Self-Publisher of 2008. Even the Giants (AdHouse, 2011) marked his major publishing debut after several award-winning, self-published titles. He has worked on the Cartoon Network show Adventure Time, and his work has appeared in the acclaimed Latvian comics anthology š!, as well as the 2012 and 2013 editions of Best American Comics published by Houghton Mifflin Harcourt.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Exporting the Entitled Class to a Beautifully Rendered Alien World
By EisNinE
Jesse Jacobs is fast establishing himself as one of the most gifted cartoonists to emerge in the last decade; he and fellow Canadian Michael Deforge are once again making the Great White North ground zero for a revolutionary shift in the aesthetics and storytelling of the comics avant garde. 'Safari Honeymoon' is the follow-up to Jacob's poignant and disturbing metaphysical fable, 'By This Shall You Know Him', once again released in a beautifully designed softcover edition by Koyama press.

'Safari Honeymoon' is a satire wrapped up in an entertaining science-fiction package. In the almost dream-like mode incorporating surrealist aspects that Jacobs executed so perfectly in BTSYKH, he introduces a newly married couple whose honeymoon takes them to another planet teeming with life, where they plan on hunting and killing indigenous species for sport. Their complete ineptitude constantly puts them in grave danger, but their long-suffering guide manages to keep them alive.

The attitude of entitlement displayed by the couple is analogous to British assumptions of 'divine right' and absolute superiority at the height of the empire, a time when the concept of the 'white man's burden' justified colonial exploitation and oppression. That entitlement might also apply to North American's culture of consumption, and the unspoken belief that the rest of the world is their playground. But eventually, the couple's notions of using an alien planet as their own private amusement park comes to an end, as the baffling array of organisms breach their bodies and minds, horrific parasites and symbiotes permanently altering their physiognomy.

As strong as his talents as a storyteller are, the artwork is f****** spectacular. His dense page layouts convey the superabundance of fascinating and nightmarish life-forms, which are initially acknowledged by the 'alien' honeymooners only as prey to be killed, amusing but disposable pets, or annoyances that inspire righteous indignation. Soon, they are forced to confront the fact that they are interlopers, and that they have dumbly stumbled into an environment where their status as members of the 'entitled class' entitles them to nothing. The heavily stylized art depicts a habitat with the imaginative richness of Bosch's 'Garden of Earthly Delights' and 'The Temptations of St. Anthony'; particularly the left-to-right 'read' of the former, as strange beauty gives way to an ominous, decadent Luxuria, and then the abrupt, nightmarish celebration of eternal suffering that is Hell. This Adam and Eve bring their culture of mindless consumption with them, but end up breached and corrupted, unwittingly joining the food chain as mid-level prey/predators.

Though I doubt any artist likes being compared to their peers, Jacobs' style is reminiscent to that of DeForge, but still very much his own. While Matt Brinkman, Brian Chippendale and the now defunct Fort Thunder/Highwater scene are a more obvious inspiration than Canadian greats like Seth and Chester Brown, 'Suckle'-'Crumple'-'Ripple' cartoonist-turned-gallery artist Dave Cooper might have informed Jacobs' aesthetics (i.e. Cooper's obsession with hyper-sexualized alien flora and fauna, as evidenced in the 'Tryptych' and 'Dan & Larry'). As a fan of European comics, the clean, carefully considered linework reminds me of Killoffer, while the odd and sometimes grotesque tendencies recall Stephane Blanquet and Brit Tom Gauld. Possible American influences include Archer Prewitt, Jordan Crane, and Sammy Harkham. Who his true influences are, I have no idea, a testament to his originality and artistic brilliance, a truly visionary talent. (95/100)

3 of 3 people found the following review helpful.
A unique and entertaining vision in the comic book world
By piloo
Jesse Jacobs has his own flavor. It's smooth and entertaining but quite original in the visual storytelling world. Considering this is "alternative cartooning" or at least non-traditional, Jesse goes about telling a story that doesn't feel overtly agenda driven or pretentiously complex even though there seems to be an underlying message as it frames a funny outlook of the pettiness of humanity against the ignorance of our environment. The message is more subtle than it might sound and is told in a unique visual style. Despite the goal this story may have, the design is engaging, quirky and diverting so that you often forget that there might by a bigger principle behind the narrative as you have so much fun getting lost in the details. But regarding what I've just said I don't know if I would say this story is an outright environmental story. It's too surreal to define it quite so narrowly, but it does seem to relate a type of harmony with nature, but also recognizing a certain sense of the requirements of life and with a subtle humor to it all.

The visual style vaguely reminds me of Herge's Tin Tin, but Jacobs has a more contemporary graphic style and an eye for compositional settings and background environments. Visually alone this story is fun to look at with interesting use of geometry, shape, and especially funky textures. The images could almost tell the story by themselves, but the dialogue perhaps keeps the flow more intuitive and gives insight.

This is alternative cartooning to be sure, but instead of taking the common "alternative" road of bombarding you with counter culture-centric quibbles, Jacobs brings you in with a zen-like appeal. I thoroughly enjoyed this story and I'm interested to see more of Jesse's work in the future.

0 of 0 people found the following review helpful.
Perfect short comic book.
By Michelle D.
This was fantastic. The story was weird but had a certain flow to it, and the drawings were tight and hilarious and inventive. I caught myself more than once thinking, "I wish I thought of that, or what a great idea for a creature!" The quality of the paper was nice too, and the cover felt durable enough that I could take it with me without accidentally destroying it. I can't remember where the recommendation came from, it might have been from one of the major graphic novel publishing companies, but I'm glad I followed up and purchased this. Highly recommend for anyone's collection.

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Simba and trusty friends Pumbaa, Timon, and Nala set out to challenge Simba's evil uncle Scar and regain his rightful place in the Circle of Life. Relive the excitement, humor, and adventure in this elegant miniature.

• Sales Rank: #5127175 in Books
• Published on: 1994-07
• Ingredients: Example Ingredients
• Original language: English
• Dimensions: 14.00" h x 10.75" w x 1.50" l,
• Binding: Hardcover

From Library Journal
Disney aims for a smash hit this summer with The Lion King , the first original animated screenplay it has ever produced. This book incorporates the film's artwork and screenplay, plus a foreword by James Earl Jones (who plays the Lion King's father) and an afterword discussing the African themes and landscape that inspired the art.
Copyright 1994 Reed Business Information, Inc.

From Booklist
The resurgence in Disney animation in recent years has been accompanied by a concurrent rise in Disney merchandise, the latest example of which is this tie-in to the studio's new cartoon epic, The Lion King. The handsome coffee-table book follows the movie's story of the lion cub Simba's journey to assume the mantle of kingship by means of hundreds of beautifully reproduced production stills, sketches, animation drawings, and background paintings depicting the appealing characters and African settings. The last quarter of the volume is devoted to an afterword offering a behind-the-scenes, step-by-step account of the project from conception to screen. The studio-sanctioned text glosses over such unpleasantries as the removal of the film's original director, who had envisioned a less traditional, more Afrocentric saga. In any event, it's the bountiful gallery of artwork that's the real selling point of the book. Early in its release as of this writing, The Lion King seems to be on its way to becoming Disney's biggest-grossing release ever, so there's bound to be an eager audience for this lavish tome. Gordon Flagg

About the Author
Christopher Finch, as a young child, believed that he was "the" Christopher Robin of the wonderful stories his mother read to him at bedtime. It is only fitting that Finch adds this book to the list of more than twenty titles he has authored, including "The Art of Walt Disney" and "The Art of the Lion King."

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great Book
By 4inTexas
I love this book. It has lots of beautiful art that I haven't been able to find anywhere else. It doesn't have many actual words in it though, mostly image captions, but it doesn't bother me. I usually feel overwhelmed with everything the typical art books try to throw at you. I think it is an excellent book with a lovely cover and I would highly recommend it for any Lion King fan.

0 of 0 people found the following review helpful.
Disney miniature book - the art of the lion king - good
By Chetan Ramesh
I didn't realize it was the "miniature" book when I was ordering, of course I was surprised and disappointed when I received the package, but it was my fault. Make no mistake, this is a beautiful book, you get all the artworks from the normal edition, but no text on the making of the movie - because of the size, they've done a good job since it is such a small book bringing all the artwork and it has text explaining the story. It's an art book combined with storybook. Definitely want the gigantic book for the complete experience.

1 of 1 people found the following review helpful.
The book is beautiful and the sketches are breathtaking
By Eloise Jones
This arrived in mint condition and fulfilled all of my expectations! The book is beautiful and the sketches are breathtaking. There are lots of large, 2-page prints that are beautiful. If you collect the "Art of ......" like I do, this NEEDS to be in your collection.

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[J844.Ebook] Free Ebook The Google Guys: Inside the Brilliant Minds of Google Founders Larry Page and Sergey Brin, by Richard L. Brandt

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How much do you really know about Google's founders, Larry Page and Sergey Brin?

The Google Guys skips past the general Google story and focuses on what really drives the company's founders. Richard L. Brandt shows the company as the brainchild of two brilliant individuals and looks at Google's business decisions in light of its founders' ambition and beliefs.

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• Sales Rank: #111271 in Books
• Brand: Brand: Portfolio
• Published on: 2011-06-28
• Released on: 2011-06-28
• Original language: English
• Number of items: 1
• Dimensions: 7.75" h x .66" w x 5.00" l, .49 pounds
• Binding: Paperback
• 272 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

3 of 3 people found the following review helpful.
A good easy read with a lot of basic information on google
By Amazon Customer
As an experienced hardware focused engineer I have not followed any of the buzz about google. I have used google for many many years and find the tool useful for doing engineering research and solving technical issues. So reading this book helped me understand much more than I knew about how google is managed and guided.

PRO

Easy to read Easy to Understand
Good basic information for those wanting to know about google
Like Google 101

CON

Book did not make me want to work at google (at least the book seems to indicates a youth focused company that does not seek many experience technical people)

OVERALL

A good read and I enjoyed it. A good place to start if you are interest in understanding Google

1 of 1 people found the following review helpful.
An Interesting Success Story with Lessons for Other Businesses
By J. Steve Miller
Helped me to see some of the principles of success that has fueled Google. I especially like their emphasis on workers getting outside their own projects to work on other projects of interest, and the emphasis on small interest groups moving things forward.

1 of 1 people found the following review helpful.
Brandt does a very good job of reviewing the past and present
By Scott Douglas
Brandt does a very good job of reviewing the past and present, and the good and bad procedures and processes that Google has been and is using to maintain the excitement of a startup and to recruit and keep the "brightest and best" of employees. An excellent book with an insiders view of a very successful company.

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Three times the fantasy, three times the trouble.
I’ve got a dirty secret. A crush. Specifically, on my boss.

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And you want to know the really dirty part?

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For a very limited time, this book now also includes all three books from the "Twice" series - Twice Bossed, Twice Taken, and Twice Tackled.

• Sales Rank: #74 in eBooks
• Published on: 2016-10-19
• Released on: 2016-10-19
• Format: Kindle eBook

Most helpful customer reviews

17 of 18 people found the following review helpful.
Over and over and over again
By Janet
I was looking for to a nice long read as I started this book. The first story was not bad, if you could get past the myriad of typos and word misuse. Also the vocabulary was barely on a middle school level. (Graphic subject matter not included). Then I started the second story. Hmmm three to one, that's a little different. But that's about all that was. The Sex scenes were basically the same, with one additional player. Some of the descriptions were almost word for word. And how weird is it for a character speaking in the first person to use phrases like "my big blue eyes" of "my firm, plump breasts with their hard nipples"? By the time I got to the third story I was just skipping thru looking for unique plot or story lines and went right past the Sex reruns. I guess, if you don't mind poor editing, and you want a brain vacation, reading anyone of these stories would be a great idea. I just wouldn't recommend reading them all at once. And if you want to read more then one, read the third story first, then the first story, since it's chronically the next set of events.

12 of 12 people found the following review helpful.
SPELLCHECK!
By DebMurr
I have no idea how some books get so many stars. Are we reading the same book? First, this contains four stories - all exactly the same - just change the names and locations. The book was not editied. And if it was, get your money back, Ms. Faye. Just awful.

7 of 7 people found the following review helpful.
Heat without the skill
By a. Stafford
Honestly, from romance scenes that are almost literally copy pasted from book to book, down to the consistent typos. I like the idea, and the concept is hot, but these lack an editor and separate creativity. The characters are underdeveloped, the sex is cheap, and honestly, it's just not realistic or thorough

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• Binding: Paperback

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• Published on: 2010-12-08
• Dimensions: 9.00" h x .50" w x 6.00" l,
• Binding: Paperback
• 220 pages

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Mengoptimalkan Otak Supaya Awet Muda (Indonesian Edition), by Femi Olivia PDF

Mengoptimalkan Otak Supaya Awet Muda (Indonesian Edition), by Femi Olivia PDF