[Q255.Ebook] Free PDF States and Markets (Bloomsbury Revelations), by Susan Strange

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'[States and Markets] should be read by every student of international political economy.' - International Relations Theory.

Susan Strange was one of the most influential international relations scholars of the latter half of the twentieth century. She is regarded by many as the creator of the discipline of international political economy (IPE) and leaves behind an impressive body of work. States and Markets is one of Strange's seminal texts. Strange Introduces the reader to a unique critical model for understanding the relationship between politics and economics centred on her four-faceted model of power consisting of: security, production, finance and knowledge. Using these terms Strange provides a rigorous analysis of the effects of political authority, including states, on markets and conversely of market forces on states. The Revelations edition includes a new foreword by Ronen Palan.

• Sales Rank: #819870 in eBooks
• Published on: 2015-10-29
• Released on: 2015-10-29
• Format: Kindle eBook

Review

“Susan Strange has long been one the most innovative scholars working in the broad field of international relations. In this book she once again shows that her reputation for careful analysis and fresh insights is well deserved... a refreshing look at a much studied subject and should be read by every student of international political economy.” ―International Relations Theory

“Students, and many of their teachers, will like the book because it give a vigorous introduction to both the subject matter of IPE and the holistic cast of mind necessary for understanding it. One cannot read the book without having one's horizons broadened... it should occupy and opening slot on reading lists for IPE courses.” ―International Affairs

About the Author
Susan Strange (1923-1998) was a leading academic in the field of international relations and international political economy. She is the author of Casino Capitalism (1986) and Mad Money: When Markets Outgrow Governments (1998).

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4 of 5 people found the following review helpful.
There's one thing worse than being exploited, and that's not being exploited (Joan Robinson)
By Luc REYNAERT
In this book, the late Susan Strange composes a model for the analysis of international political economy which is still an essential and exemplary read today.

General human context
Basic values which mankind seeks to provide through social organization are wealth, security, freedom and justice.

Definition
International political economy concerns the social, political and economic arrangements affecting the global system of production, exchange and distribution and the mix of values reflected therein.

Model
Power in a political economy is mainly structural, not relational. It is the power to decide how things shall be done, to shape frameworks within which States relate to each other, to people or to corporate enterprises.
There are four primary sources of structural power (control): security, production, credit and knowledge.
There are also secondary power structures: transport, trading, energy supply, welfare and development.

Who has the power?
Those who can offer or deny security; those who manage the creation of wealth by production; those who create credit to allow or deny other people to spend today and pay back tomorrow; those who (mis)manage the currency in which credit is denominated; those who have knowledge (advanced technology) which provides military superiority and dominance in other power structures.

Three schools of thought about international trade
For the realist (mercantilists) the most important value is security, the survival of the State and its foundation which is social cohesion.
For the pluralists (liberal, neo-classical) the most important factor is wealth creation in order to make States and corporations more powerful. Wealth should be created by economic efficiencies through a free market system.
For the structuralists (Marxists) the most important factor is justice. It is a moral imperative to abolish all kinds of colonialism and under-development.

Analysis
Susan Strange's analysis is based on the world economy of the 1980s. It is however astonishingly actual, indeed.
She sees that economic measures stop at the frontier of the States. There is no international integration. In the meantime, however, the European monetary has been partly realized.
The global financial system lacks leadership. Control of debt, credit and banks are deficient. Currency exchange rates are instable and lack credibility.

Her criticism of the reigning world power is extremely harsh: the structural power the U.S. has acquired has been misused in the service of narrow interests. This misuse of power has sheltered the U.S. taxpayer and consumer in the short run, but there is a serious risk of weakening both the system and the structural hegemony of the U.S. in the long run.
For Susan Strange, it may still not be too late to reverse the process.

Is it? Since then, the U.S. has stopped to produce (N. Klein), except weapons (G.Vidal). It continues to print paper money in order to finance not winnable wars (J. Stiglitz). The Chinese market is becoming the world centre of production and consumption (J. Kynge). With its balance of payments surplus China is acquiring vital commodity deposits (Africa), energy sources (South America, Africa) and cardinal parts of the U.S. power structure itself (banks).

Susan Strange's analysis is based on a paramount and crucial element in the history of mankind: power.
Her book is a must read for all those interested in the world we live in.

0 of 0 people found the following review helpful.
Wonderful book! Well thought-out literature and highly informative guidance ...
By Kealey
Wonderful book! Well thought-out literature and highly informative guidance through complex systems of socioeconomic organization. Publisher should take a look at the structures of power diagram, its been wrong for decades... Nonetheless, exceptionally well written!

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In this theoretically innovative, richly detailed study, the author presents a new view of socialist realism, situating its literature in the Russian cultural tradition, in the Soviet social environment, and in the context of contemporary literary and cultural theory. The author begins by plunging the reader into the cacophony and confusion of the First Soviet Writer's Congress of 1934, which made socialist realism an official doctrine. She analyzes the oppositions and concepts that fueled the debates: oppositions such as form versus content, pure art versus social function, idea versus artistic image; concepts such as the new hero, naturalism, modernism, and, most important, realism in all its formulations. In order to understand this obsession with realism, the author insists that one must grapple with nineteenth-century Russian literature and literary theory, particularly in the concepts of the 'useless man' and the 'positive hero'. Employing the terms and procedures of discourse analysis, she offers a reading of classical Russian literature that privileges the debate about realism. The remainder of the book focuses on the literature of the Stalin era, especially the officially sanctioned novels - their themes, techniques, and special qualities. The author traces the literary history of socialist realism, arguing that as it was formulated in the early 1930's, it diverged from naturalism and 'the old realism' because it required the judging of reality, rather than its faithful representation. She identifies a sharp turn away from realism toward idealism in 1936-37. Despite a brief renewal and fresh content during World War II, Soviet literature remained compressed in a rigid mold until the end of the Stalin cult under Khruschev, when socialist realism finally disappeared. The author concludes that socialist realism was 'an impossible aesthetic': the goal of creating a literature open only to one interpretation could never be realized because language itself is always open to multiple interpretations.

• Sales Rank: #6384100 in Books
• Published on: 1992-08-01
• Original language: French
• Number of items: 1
• Dimensions: 9.50" h x 6.50" w x 1.00" l,
• Binding: Hardcover
• 384 pages

Review
'It is one of the most important books on Soviet aesthetics and literature of the last decade. Though essentially a reinterpretation (indeed, a reconceptualization) rather than a source of new materials, the clarity and sophistication of its theoretical formulations make it a valuable contribution to Soviet studies. The author's critical approach, which intelligently blends Bakhtinian narratology, discourse analysis, and structural analysis, is very innovative for studies of the Soviet period.' William Mills Todd III, Harvard University

Language Notes
Text: English (translation)
Original Language: French

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• Published on: 1800
• Binding: Hardcover

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“Pearl Cleage is a passionate, challenging playwright whose concerns for the species are unmistakable and profound. As a woman, as an African-American, her artistic objectivity and sensitivity to history combine with, but do not overshadow, her capacity to dig for truth and present it flat out as she sees it – with a finger snap or a shout and sometimes with a wink. Among the most satisfying roles I’ve undertaken on stage is surely Miss Leah in Flyin’ West. She brings the bushel nuggets of drama and humor that capture the ear, the heart and the imagination. She’s devilish, too.” –Academy Award� Nominee Ruby Dee

“Ms. Cleage writes with amazing grace and killer instinct.” –Alvin Klein, New York Times

“Pearl Cleage is a brilliant storyteller. I am always engrossed in the drama and compassion she brings to her characters. Flyin’ West, Bourbon at the Border, Blues for an Alabama Sky, Late Bus to Mecca and Chain are marvelous examples of a playwright at the top of her form, bravely moving into the new century.” –Woodie King, Jr., Producing Director, New Federal Theatre

Pearl Cleage’s body of work for the stage provides us with a remarkable and penetrating look at the African-American experience over the last 100 years. This volume collects her major full-length plays and one-acts, including Flyin’ West, Blues for an Alabama Sky, Bourbon at the Border, Chain and Late Bus to Mecca.

PEARL CLEAGE is an Atlanta-based writer whose recent plays have premiered at The Alliance Theatre Company with subsequent productions throughout the country. Her first novel What Looks Like Crazy on an Ordinary Day was a recent Oprah’s Book Club Selection and a national bestseller. She is a former columnist of the Atlanta Tribune and a contributor to Essence Magazine.

• Sales Rank: #956057 in Books
• Brand: Brand: Theatre Communications Group
• Published on: 1999-05-01
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .80" w x 5.30" l, 1.05 pounds
• Binding: Paperback
• 280 pages

Features

• Used Book in Good Condition

Review

“Pearl Cleage is a passionate, challenging playwright whose concerns for the species are unmistakable and profound. As a woman, as an African-American, her artistic objectivity and sensitivity to history combine with, but do not overshadow, her capacity to dig for truth and present it flat out as she sees it – with a finger snap or a shout and sometimes with a wink. Among the most satisfying roles I’ve undertaken on stage is surely Miss Leah in Flyin’ West. She brings the bushel nuggets of drama and humor that capture the ear, the heart and the imagination. She’s devilish, too.” – Academy Award� Nominee Ruby Dee

“One of the voices singing in the wilderness. What as pleasure it is to listen – and listen – and listen.” – Ossie Davis

“Pearl Cleage is a brilliant storyteller. I am always engrossed in the drama and compassion she brings to her characters. Flyin’ West, Bourbon at the Border, Blues for an Alabama Sky, Late Bus to Mecca and Chain are marvelous examples of a playwright at the top of her form, bravely moving into the new century.” – Woodie King, Jr., Producing Director, New Federal Theatre

“Ms. Cleage writes with amazing grace and killer instinct.” – Alvin Klein, New York Times (Flyin’ West)

“Serves as a tribute to the power of independent black women and the importance of community.” – Kerry Reid, Chicago Tribune (Flyin' West)

“It's abundantly alive.” – Lawrence Bommer, Chicago Tribune (Blues for an Alabama Sky)

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0 of 0 people found the following review helpful.
Love this book!
By DWright
I really only needed one of the plays, but I love Pearl Cleage so I bought this collection. The book arrived on time and it great condition. Cleage is an amazing, thought-provoking playwright. What an engaging storyteller. If you are looking for stories on race that will make you gasp, cry, and smile within the same story -this is the book.

1 of 1 people found the following review helpful.
Great Compilation!
By E. Crystal
Pearl Cleage is an excellent writer and I'm glad to have this compilation. She delves into the psyche in a way that other writers don't. In addition, the seller got it to me quickly and at a good price. I'm happy. Thanks!

0 of 0 people found the following review helpful.
Five Stars
By Nykki L. Starr
Great condition!

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• Sales Rank: #3985896 in Books
• Published on: 1958-01-01
• Binding: Paperback
• 191 pages

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6 of 6 people found the following review helpful.
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Simple and thoughtful
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[J633.Ebook] Ebook Free The Tao of Craft: Fu Talismans and Casting Sigils in the Eastern Esoteric Tradition, by Benebell Wen

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The Tao of Craft: Fu Talismans and Casting Sigils in the Eastern Esoteric Tradition, by Benebell Wen

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For the first time in English, Benebell Wen reveals the rich history and theoretical principles underlying the ancient practice of crafting Fu talismans, or magical sigils, in the Chinese Taoist tradition and gives detailed instructions for modern practitioners who would like to craft their own Fu. Fu talismans are ideograms and writings typically rendered on paper and empowered by means of invocations, ritual, and transferences of energy, or Qi. Talismans can be used for many purposes, such as strengthening or weakening personality characteristics, finding love, earning more money, or easing emotional tensions in the home. The Tao of Craft shows how metaphysical energy can be harnessed to amplify, strengthen, weaken, dispel, or block other metaphysical energy and to rectify perceived imbalances in the material plane. Supported by an abundance of detailed charts and images, this book serves as a step-by-step handbook that gives readers the knowledge and confidence to craft their own Fu talismans for personal empowerment.
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Wen, author of Holistic Tarot, delves into historic and cultural contexts of the Fu, from the neolithic period of Chinese history to contemporary practices of esoteric Taoism. Providing a solid foundation in the principles of Eastern spellcrafting, she highlights the blending of Taoist metaphysical practices with Western approaches to magic by pointing out eclectic, integrating, and harmonizing facets from other cultures and religions.
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Historically, Fu talismans were used by medieval Chinese for alleviating illness; averting misfortune, magical attacks, and curses; defending against assaults; and avoiding poverty. This book shows Western practitioners that the skill and knowledge to develop an interactive relationship with spirit realms are still available to them today, and serves as a practical handbook for accumulating Qi energy from sources in the environment and channeling it in concentrated form into their own Fu talismans.

• Sales Rank: #38482 in Books
• Published on: 2016-09-27
• Released on: 2016-09-27
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 1.60" w x 6.10" l, .81 pounds
• Binding: Paperback
• 600 pages

Review
“Benebell Wen has gifted us with an amazingly rich resource for a life of magic and fulfillment, revealing the sacred and empowering�why�behind the ancient Taoist art and practice of talisman crafting. Read and remember where you are and why you are here.”
—Phyllis Curott, priestess, attorney, and author of�Book of Shadows,�WitchCrafting, and�the Love Spell
�
“The publication of any book in English on the creation and use of Fu talismans—among the most useful and accessible parts of the rich heritage of Chinese magic—is welcome, but when that book turns out to be readable, thoughtful, and eminently practical, that’s cause for celebration. Benebell Wen’s�The Tao of Craft�is all that and more, and deserves the attention of any reader interested in the theory and practice of operative magic.”
—John�Michael�Greer, author of�The New Encyclopedia of the Occult�and�The Celtic Golden Dawn

About the Author
Benebell Wen is a practitioner of various metaphysical arts. She studies tarot, feng shui, the I Ching, numerology, and both Chinese and Hellenisic astrology. Wen is the author of Holistic Tarot: An Integrative Approach to Using Tarot for Personal Growth (North Atlantic Books, 2015). When not lecturing, teaching, or writing on metaphysics, Wen practices law in California and New York. She is of Taiwanese descent and currently lives in Northern California with her husband, James, and their beloved cat.

Most helpful customer reviews

8 of 8 people found the following review helpful.
This book is AMAZING!!
By Puck
This book is AMAZING!!!! My eyes were opened wide just into the first dozen pages. She provides a detailed account of history behind talsiman crafting in the taoist tradition. Whether you're a newcomer to the craft or a seasoned pro, this book will provide you with tons of GOLD that you can use to increase the effectiveness of your own craft.

7 of 7 people found the following review helpful.
Another metaphysical winner from the author of Holistic Tarot
By Joywriter
I read and loved the author's first book, Holistic Tarot, and hoped this one would be as wonderfully "readable, thoughtful, and eminently practical." I wasn't disappointed! Wen takes us this time into an introduction and understanding of magical Chinese culture associated with Fu talismans.Smart and thorough, I particularly enjoyed the information in the Appendices: Considerations for the House; Beginner Sigil Design Tutorial; and Glyph Design References.

4 of 4 people found the following review helpful.
An amazing resource of Eastern spiritual practices
By Taylor Ellwood
In this book, Benebell shares an Eastern esoteric tradition of charging and casting sigils. It's a fascinating book to read, and the author does a great job of making the material approachable. I particularly like how she breaks the process down and then explains how each principle works. She also provides historical resources and references which is helpful, but most of all she encourages readers to experiment and make the work their own. I felt like this book explained and filled in some gaps of knowledge I had about Eastern esoteric practices, while also enhancing the magical work I'm doing. I highly recommend this book for anyone interested in understanding Eastern esoteric practices or wanting to integrate such practices in their own spiritual work.

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[X540.Ebook] Ebook Free Exploring Unequal Achievement in the Schools: The Social Construction of Failure, by George Ansalone

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One of the most disturbing problems in American education today is the unequal achievement of children in schools. Few problems have sparked greater concern than the issue of why students from different social origins differ so significantly in their academic performance. This book explores the role played by families and schools in this troubling problem. It employs a social constructionist approach in considering how ascribed characteristics (race, gender, and class) intersect with the daily interactions of teachers and students in classrooms and with the educational practices and structures within schools (tracking, testing, and teacher expectations) to play an exacting role in the construction of success or failure. It suggests that the new student identity that begins to emerge as a result of these processes provides a self-fulfilling prophesy of expectation and belief, which defines how students see themselves as learners and achievers. Through these practices, schooling becomes a crucial factor in the social construction of academic success. The author's final conclusion is inescapable: unequal achievement in school is largely a social construction. But it is a social construction facilitated both by student attributes including gender, race, and class and by the educational structures and policies some schools employ. Because of this undeniable fact, parents, educational practitioners, and policy makers must continue to investigate social policies and practices relative to student abilities and make every effort to understand how they may be related to achievement. Informed by research, they must endeavor to see this power inherent in schooling and the need to effect change.

• Sales Rank: #2098442 in Books
• Brand: Brand: Lexington Books
• Published on: 2010-09-14
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .59" w x 6.09" l, .87 pounds
• Binding: Paperback
• 256 pages

Features

• Used Book in Good Condition

Review
Recommended. (CHOICE, September 2009)

This work brings new clarity to the problem of underachievement in our schools. Unlike other books in the field, it explores the important issue through the eyes of a social constructionist, enabling us to appreciate more fully the power inherent in schools to impact student achievement. This multidisciplinary work is informative, thought provoking, and, most importantly, well researched. I recommend it to all parents, teachers, school administrators, and students of sociology and education. (Diane B. Scricca, superintendent of schools in Riverhead Central School District, New York)

About the Author
George Ansalone is professor of sociology at St. John's University in New York.

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0 of 0 people found the following review helpful.
GREAT CONDITION
By paige
THE BOOKS WERE IN GREAT CONDITION, BRAND NEW. I ORDERED IT FOR CLASS BUT RECIEVED TWO IN THE MAIL INSTEAD OF ONE? NOT SURE IF IT WAS A MISTAKE ON THEIR END OR IF I GOT 2 FOR THE PRICE OF ONE?

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[Z628.Ebook] Download PDF Vocal Technique: A Guide to Finding Your Real Voice (Book & CD)From Musicians Institute

Download PDF Vocal Technique: A Guide to Finding Your Real Voice (Book & CD)From Musicians Institute

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Vocal Technique: A Guide to Finding Your Real Voice (Book & CD)From Musicians Institute

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(Musicians Institute Press). Stop straining to hit those high notes! Unlock your true potential and start singing easily and effortlessly with this book/2-CD pack by Musicians Institute vocal instructor Dena Murray. She teaches how to: breathe naturally; improve your speaking voice; stop holding, pushing and squeezing; develop your natural three-octave range; place your chest and head voices; and bridge the registers to sound like one voice. Includes two CDs with demonstrations, guided exercises, and plenty of practice tracks.

• Sales Rank: #118499 in Books
• Brand: Musicians Institute
• Model: 695427
• Published on: 2002-07-01
• Released on: 2002-07-01
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x .23" w x 9.00" l, .77 pounds
• Binding: Paperback
• 64 pages

Features

• 64 pagesSize: 12" x 9"Composer: Dena MurrayISBN: 063401319X

Most helpful customer reviews

181 of 192 people found the following review helpful.
Classical training light with five pages of technique taged on.
By Jeremy Deats
Some people will not like my review of this book. However, that doesn't change the truth of what I'm about to explain. Dena Murray's book is marketed as a "vocal technique" book for contemporary music, however the "technique" this book does focus on is more the classical training: Keep your larynx low, you're throat open, focus on placement of the Italian vowel sounds, and practice scales to improve pitch and work the registers. This is nothing new, this is the formula that has been applied to train opera singers for many generations and if you want this information then Dena's book does an ok job of putting that form of traditional training together in a nice package here. I say 'ok' because I believe there are better books out there; the techniques that helped me the most are not found here.

Considering that this book is marketed towards popular music vocalist and not traditional/classical singers, I'm giving this two stars. My problem with this book is outside of theater, I think the classical approach, while proven- has become a bit stale. Modern research by Thomas Appell and others have shown the science behind the human voice, we all do not have two registers as Dena states. This is probably what she was told years and years ago and that's why she teaches it, but if you read Appeal's book you'll discover a detailed report of the science of the human voice. Dena seems to dodge middle voice altogether, in this book she says "there is a middle voice, but you need to develop chest and head first". this is the classical training school of thought. Dena's approach is what you want for opera and theater vocals. It's also ok foundation. If your practice the scales she provides and the techniques she presents you're voice will improve. But that's not the bottom line here. There are other systems that will get you there faster, more modern techniques that teach style along with technique.

Dena's classical roots are also revealed in her classification of the registers, you simply calls the head register "falsetto", which implies ignorance. Since falsetto implies a technique (low tension which blows the chords appart to produce an light airy sound), head voice can most certainly also be full voice and not falsetto. This was one of a few red flags found in this book to me. Ms. Murray may be an excellent teacher, she is definitely a good writer, but a lot of her information is just beyond subjectively wrong.

SLS (Speech Level Singing) is a system developed by Seth Riggs, it's a different approach to vocal training than the classical system presented in this book and by classical instructors that's geared for popular music. SLS is not a gimmick as it now the leading system for popular music. Used for almost two decades now by amazing vocalist like: Michael Jackson, Keith Urban, Ozzy Osborne to name a small few. SLS focuses on building middle voice instead of giving it a back seat for months (or years) as Ms. Murray's approach would. "Middle voice" which is really just a SLS term for sweet notes found where the chest and head voice meet is crtical for popular music, you hear popular artist focus there (and seldom jump into head).

Some other problems I have with the material: C1 is presented as "middle C", I would have thought this a misprint except Ms. Murray goes on to talk about it. In case you're wondering "middle C" is commonly known as C4 on a piano. The most disturbing problem I found with Ms. Murray's material was information on vocal range, on her diagrams she shows a tenor should be able to sing from F2 an octave and a half below middle C up to G5, an octave and a half above middle C. This supports her comment that "everyone should have a three octave vocal range", which isn't true. In opera parts written for the Tenor will span from Bb below C3 up to "tenor high C" which is C5. That's just a tad over two octaves and most parts are written from C3-C5. Also almost all popular music for male tenors is between this range as well (actually most popular music stays within an octave and a half).

If you follow her advice you're likely to find yourself feeling inadequate with your range and you're "true voice" will emerge very clean with no color of style. If you want to sing opera this is perfect, if you want to be a rock or pop vocalist you may want to use this material as a foundation that's ok, just realize it's a very light foundation and if you stick with this you'll be a very generic singer. I actually think quite a bit less of the Musicians Institute series after reading this book. To her credit, it's possible Dena Murray's classroom material is distant from this book. There really is no implied connection by her own written words, but it is part of the MIT series, so my comments are not without merit.

My advice: See books by Seth Riggs, Roger Love, Thomas Appell and Jamie Vendera. These guys have current techniques that can be proven. While this book may give you a foundation suitable for move to the next level in any genre, there are better places to start for popular music vocalist.

47 of 48 people found the following review helpful.
Improved my voice quickly.
By Barrett Tagliarino
I've used many vocal method books, some with tapes or CDs, over the last few years - Jeffrey Allen, Seth Riggs, even the classic Marafioti, etc., - and this one is the best. The explanations are clear and helpful, giving you simple objectives to concentrate on while singing along with the exercises on the CD. The section on breathing is revolutionary. It is different from the other methods and seems to result in better pitch control.
The exercises on the CDs are very intense and get your cords warmed up & stretched out quickly. I recommend this book for anyone who's serious about learning to sing.

58 of 62 people found the following review helpful.
"Jaime Vendera, Author of Raise Your Voice"
By Jaime Vendera
Dena Murray, one of the head instructors at the Musician's Institute in Hollywood California, introduces a book dedicated to the art of vocal technique. As the name suggests, this is a guide to finding your real voice. The book sticks to the basics, in order to uncover your natural voice, and give the singer a foundation to work upon.

In this 60 page book, Dena focuses on approaching vocal instruction from a standpoint of finding and eliminating "trouble' in the voice. Her expertise lies in the area of taking a voice apart to train or re-train from scratch, in order to teach the singer to strengthen their weaknesses, and free their voice, as opposed to vocal manipulation.

Vocal Technique covers such topics as the voice and how it works, correct vocal placement, vocal registers, and breathing. She states that correct breathing is accomplished when the air flows freely, not squeezed or pushed.

Vocal Technique comes with two CDs. CD one is a series of lessons with guided exercises, illustrations, and tracks for practicing along with. CD two is specifically focused on four vocal exercises, designed to isolate and strengthen the separate registers. Although Dena uses more than 25 different vocal exercises in her practice, for the sake of the book, Dena purposely chose exercises to get the voice flowing. She wanted this book to be simple and easy to understand, as well as educate the beginner, and help each singer begin the path to vocal freedom.

Although this book is excellent for beginners, any vocalist will benefit from Dena's knowledge. If you are having trouble around your break points, Vocal Technique is an excellent book for strengthening the registers and break area. I recommend this book for all vocal enthusiasts.

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Vocal Technique: A Guide to Finding Your Real Voice (Book & CD)From Musicians Institute PDF